About Holly

I teach writers how to create professional writing careers.

Renegade Writers: Your Most Imporant Asset
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What’s the one thing you consider your most important asset in your writing—in your present or future ability to bring you fans? Obviously you want to shine across the board, but what is the greatest strength you have to showcase?

I have a reason for asking that I think can help you figure out how to best market your work, but first I want to know where you’re coming from. — Holly Lisle

Grad Novelists: This is an ongoing discussion on the Renegade Marketing board, where we’re brainstorming ways to connect with readers. Login, then join us.
Your Most Important Asset

Motivation Revision
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Some students had problems watching the third section of the Motivation course because it was embedded as a .mov file.

I’ve now changed it to match the embedding of the other files—you should have no difficulty watching now.

Login here to watch…if you’re a course grad, or on week five as a current student, you’ll find the link as TWC #2-Motivation at the top of your student page with the rest of your lessons.

The Back to the Beginning Board
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The course offers a “Back to the Beginning” board for students who have either finished the course once and want to run through it again, or who had life land on their heads while they were taking it, and who want to start back at the beginning once things have calmed down.

The intro discussion to the board says:

Talk through what happened to you, find out what happened to others, offer support, tips, and encouragement.


Students and grads can read about everything from NaNo burn-out to new babies crashing into writing schedules and enthusiasm. Join in here.

Eureka! A skeptic meets the muse
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From a deeply skeptical student:

I’ve never really believed in the concept of a “muse.” To be honest, I’ve always rolled my eyes a little bit when other writers start talking about their muse like it’s a roommate that lives down the hall. I am a left-brained logical person, and the concept of having a muse just made no sense.

When I decided to begin work on my sweet spot map for Lesson 2, I approached it with (surprise, surprise) a logical and methodical plan to complete it by the end of the week. I would work on one “segment” of the map each evening for 10 – 20 minutes. After 6 days, I would have the exercise completed.

So I sat down planning to work on “I fear.” For the first 10 minutes or so, I was only writing down the mundane and obvious. But I quickly realized that this was a necessary step. I was clearing away the vines, old branches, and dead leaves that were concealing a vast stone wall in my mind. Once all the garbage was cleared away, I punched a small hole in that wall…

Everyone can follow the link to read the rest of this Eureka moment.

Board Bug Fixed (I hope)
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If you’re among the number of students who have not been able to get to some or all of the forum boards you’re supposed to be able to reach, I’ve done major work on the boards today, hoping to fix this.

Please login to your account.

Then head over to the forum:
http://howtothinksideways.com/forum

If you can reach and use all the boards you’re supposed to be able to reach, excellent. You don’t need to let me know.

If you STILL can’t, however, please e-mail me directly at:

hollylisle AT gmail DOT com

Let me know your Student ID/Username, which boards you can’t reach, what browser you’re using, and what sort of error messages you receive.

Thank you,
Holly

Switching POV from 1st to 3rd
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A student started this technical discussion in class on the pitfalls and obstacles in changing a book from one point of view to another.

Has anyone had to go back and do a complete overhaul on POV? I think I may need to switch my point of view from first to third. I started the draft thinking it would be only from my MC’s POV, but as I got further along, I’m noticing scenes I want to add or revise that would be better from someone else’s perspective. (Maybe 25% of my scenes would be a different POV.)

I know that I CAN write multiple POVs in first person, but I know it can be confusing. I’m not sure that my book qualifies as being the exception to the rule.

Students and grads, login and click here to join the discussion.

THE WRITING CRAFT: Motivation (Section 1) Now Up
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If you’re a student who has reached at least Lesson 5, or a course grad, Section 1 of THE WRITING CRAFT: How To Motivate Yourself is now available in the classroom. You’ll find it listed with your lessons as TWC #2- Motivation.

Just log in and you’ll find it.

IF YOU HAVE NOT YET REACHED LESSON 5, please be patient. It will arrive on the same day as your Lesson #5.

Sweet Spot Goodies
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The Sweet Spot Map is an early-course technique that generates a LOT of fascinating revelations for writers who are exploring their own best writing themes.

The linked discussion is personal and in depth, with writers presenting the results of their explanations for the technique.

Students and grads, click here to join the conversation.

Writing to a playlist
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From a current student:

I’m curious. Do you have a writing playlist?

Or do you have several, one per book? Or even one per character per book? One for action scenes, one for quiet scenes?

Do you listen to songs in a language you can understand, or does that distract you and you prefer instrumental music or songs in a language you don’t understand?

Tons of discussion on this. Students log in and visit the conversation.

Finally! Light!
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This is a classic Eureka moment. (I love the Eurekas.)

I had been working in two projects for the last 17 years (yeah… life got in the way…) and I have almost a thousand pages written with no direction whatsoever.

I used to work in the corporate business all that time and my Muse was held prisoner in the back of my head.

Yesterday I was working on lesson 3, The Sentence, and could not manage to make my Muse speak louder until I finally named her (Amelea) and shaped her into a light bubble that goes over my notebook and stops on what she likes and moves away of what she think it stinks. I actually can see this in my head, as crazy as it sounds. First I thought it was a stupid technique (name and picture your Muse… Ha!).

Today, I woke up in the middle of the night from sleeping in the couch with my loved-one to walk the dog, and when I came back I could resist to peek at my notebook and started writing and testing sentences and… VIOLA!!

I was pushing my main character to be one guy, but Amelea pings me… “What if you put HER in command of the story?” I listened and…

Find out what happened here… You do NOT need to be logged in to read this post.